© Michał Skwierczyński
Frame outside the frame
...called photography. Anticomposition in composition. Frame outside the frame. Off in the frame. Controlled coincidence. Should not be intended, because there is no intention.
Not much the photography (art) is multi-interpretationable as the world that exists. So many pictures of one view as many eyes witnessing it, multiplied by c squared.
Just a picture is literally already imagination, impulse, difference of potentials.
Unlimited number of possibilities, although the probability of sequencing pixels in the same order more than once is nonzero and equals some.
The digit remains concrete, mathematical discreet, or discreet at all - I don't know. This is digital photography, photography in a way, the form and channel. Some naughts and ones.
The analogue, in contradiction, is innumerable under condition that I shall not enter the chemistry of materials and structure of the light. And if I advance further, going from anywhere (and analyzing in whatever manner) then I reach the border of One, me being the same distant as if I hadn't move.
Overexposure, underexposure, broken white balance. Lack of skill to measure the thought and value of aperture/focus.
A journey.
Change of the recording device. Paper.
"Bryza" fast train, Olsztyn - Szczecin
© Michał Skwierczyński